Silent but sensational - a German take on The Hound of the Baskervilles |
Gillette to Brett V, held last
weekend on the Indiana University campus in Bloomington, IN, was another
wonderful symposium in this series devoted to media adaptations of Sherlock
Holmes. Organizers Steven Doyle and Mark Gagen, of Wessex Press, only do this
every three or four years. When they do, they make it count.
More
the 120 Sherlockians from the U.S., Canada, and the United Kingdom gathered to
hear eight world-class speakers and view three films. It was a gathering of
friends. Rather than trying to summarize the event, I’ll tell you what I
learned from each speaker.
Nicholas Utechin: A numbers of
actors who don’t look like each other can nevertheless look like the Sidney
Paget illustrations of Sherlock Holmes. He showed photos of actors and asked us
to vote yes or no – doe he resembles Paget’s Holmes?
Ashley Polasek: Technology helps
to determine how scenes are recorded on film, which in turn influences how the
story is told. She showed examples from three televised versions of “The Six
Napoleons,” and explained the difference in a way that even I understood.
Glen Miranker: Silent movies
could be really good, and just as
sophisticated as what’s in your neighborhood theater today. He showed the last
silent Sherlock Holmes film made, a German version of The Hound of the Baskervilles. The was only the second public U.S.
showing of a film lost for decades. And it was wonderful!
Leslie S. Klinger interviewing Robert
Doherty:
In creating a story season-long story arc for Elementary, the producers focused each season on a different
character. Doherty, creator of the show, said his biggest regret was not doing
more with Moriarty.
Terence Faherty: The Sherlock Holmes
radio programs featuring Basil Rathbone and Nigel Bruce fixed them in the
public mind as Holmes and Watson more than the films.
Charles Prepolec: Peter Cushing
and Christopher Lee, who became great friends, appeared in three movies together
before they actually met. Cushing was Holmes and Lee was Sir Henry Baskerville
in the Hammer Films 1959 version of The
Hound, which we saw on the big screen Saturday evening. Cushing later made
a second version of The Hound.
David Stuart Davies: Jeremy Brett was
a kind man who completed a phone interview with Davies even though he was quite
ill. “Don’t worry about me!” he said cheerfully in an excerpt we heard. A year
later he was dead. During the short interview, Brett said he wished he could
have remade The Hound (like Cushing) and
done better with is.
Jeffrey Hatcher: The author of the
Mr. Holmes screenplay and the Holmes & Watson stage play is a very, very funny
man.
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