Today we are honored to have as a guest blogger Amy Thomas, Baker Street Babe and author The Detective and the Woman, which I praised in an earlier post.
When I was about nine years old, I heard an audiobook
version of The Adventures of Sherlock
Holmes. I remember thinking to myself that this Watson narrator guy was
really not very clever. By the time I had reached “The Final Problem,” however,
I was heartbroken on behalf of the same man who had previously seemed like an
idiot in comparison to his brilliant friend.
In short, I fell for John Watson
when Sherlock Holmes fell from a cliff (only he didn’t, which my older sister soon
told me to relieve my misery).
When I reread the canon as an adult in 2010, my impressions couldn’t
have been more different. From the very beginning, Watson’s wry humor, bravery,
loyalty, and kindness stood out to me as much as Holmes’s brilliance and
deductive skills. I finally saw him as an equal partner to the world’s greatest
detective, albeit one with vastly different strengths and weaknesses. The
subtlety that had eluded me as a child was richly evident to me as an adult.
Was I correct in my initial assessment of Watson as a
flawed, slightly silly man with an extraordinary friend, or was I right to see
him as a hero with unbreakable loyalty? Which
Watson was the real Watson? In
a word: Both.
Watson has extraordinarily silly and unobservant moments,
such as the times he fails to recognize his best friend in disguise or when he
observes something and flies off on a tack of totally flawed reasoning. At the
same time, he has moments of great practicality and extreme bravery, and he
fails to complain about the many hardships Holmes subjects him to, not the
least of which is Holmes’s faked death.
Watson admires his friend, but he’s not
in awe of him, and he isn’t afraid to make light of Holmes at times. Sherlock
Holmes is a superhero of sorts, but John Watson is everyone.
Watson illuminates Holmes for us in two main ways—through
comparison and through narrative sleight-of-hand. The first way is obvious. We
see the brilliance of Holmes as a scientist and as a detective when his
lightning-quick mental gymnastics are compared and contrasted with Watson’s
more conventional thought processes. As Holmes says in The Hound of the Baskervilles, Watson serves as a “conductor of
light,” and for the audience, he also amplifies and increases Holmes’s light by
showing us an ordinary intellect in comparison with the mind of a genius.
The second way Watson is essential to us as an audience is
far more subtle and arguably shows that the doctor has a cleverness all his
own. That way is through his narrative style. Within the context of the
stories, Watson is writing about cases that have already occurred. As a result,
he has the knowledge of the end of a problem before he starts writing the
beginning. Instead of taking us through a straightforward, police-report style of
storytelling, the doctor chooses his details carefully and even lets us see his
failures and confusions during a case so that we will be the more surprised and
delighted when the end is finally revealed. He shows us Holmes at work, but he
keeps enough back to keep us interested. The skill required to maintain this
delicate balance is acknowledged by Holmes himself when he narrates “The
Adventure of the Blanched Soldier.”
I didn’t include Watson as a character when I wrote my novel
The Detective and The Woman, which
might seem like some sort of assertion that he’s unimportant. It’s exactly the
opposite, though.
Like many writers before me, I didn’t give Holmes the Watson, but I did give him a Watson. In my story, Irene Adler
serves many of the same functions that the doctor did in the original canon. In
my view, this is Watson’s greatest legacy—the fact that no matter how far
afield writers go from the original stories, very few of us can get away from
the need for a Watson-like character to serve as a comparison and a biographer
for Sherlock Holmes.
We may draft a different set of shoes to fill the same space, but there's forever and always a John-Watson-size space to fill.
We may draft a different set of shoes to fill the same space, but there's forever and always a John-Watson-size space to fill.
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